Five More Minutes (A Masterclass)
- Elementary (K–5)
- Comedy
- Very short
- Humorous Interpretation
A pajama-clad tactical genius walks us through the ancient art of not going to bed: water, one more story, and a mysterious noise.
The monologue library · Browse by length
34 free monologues in this slice of the library — read, print, and perform at no cost. Attribution is the only requirement.
Under 2 minutes, 2–4 minutes (audition-standard), 4–7 minutes (full), or 7+. Estimated at roughly 150 words per minute from the source text — actual performance time varies with pace and blocking.
About this facet
The library's shortest cuts, under roughly 2 minutes at the estimated 150-words-per-minute pace -- the majority of the catalog, and a natural first pick for a quick classroom read, a warm-up, or an audition slot with a tight time cap. Always confirm the exact limit against your own call or event's published rules.
Length is an honest estimate, not a stopwatch reading: roughly 150 words per minute over the actual spoken text (the same section an audition-cut packet slices from), so actual performance time will vary with an actor's pace and blocking. Use it to shortlist, then time a real read-through before you commit to a cut.
A pajama-clad tactical genius walks us through the ancient art of not going to bed: water, one more story, and a mysterious noise.
A kid rises at the dinner table to deliver a full courtroom closing argument prosecuting the broccoli on their plate.
A kid makes a full, impassioned campaign speech to the teacher for the right to take the class hamster home for the weekend.
On the morning of the first day of school, a nervous kid whispers a pep talk down into their backpack -- to the stuffed animal they smuggled in, and really to themselves.
A kid proudly introduces their imaginary friend Gary to a skeptical grown-up -- and defends him with total conviction and increasingly specific details.
A kid who just lost the board game tries, out loud and against all odds, to be a good sport about it.
A kid narrates the epic, tragic, heroic quest to find one lost mitten as if it were the greatest adventure ever undertaken.
A kid with a very wiggly tooth is thrilled, terrified, and ready to make a deal -- with the Tooth Fairy, tonight, on their terms.
A big sibling sorts through the tangled-up feelings about a new baby who gets held all day while nobody claps for THEM anymore.
A kid delivers a fully-prepared, airtight, slightly desperate presentation to a parent explaining why the family NEEDS a puppy immediately.
A starter who got benched for the biggest game of the season fights the urge to sulk and figures out what kind of teammate to be.
A middle schooler gives a brand-new kid a deadly-serious guided tour of the entire unwritten social geography of the cafeteria before they sit in the wrong place.
A middle schooler delivers a wildly over-the-top class-president campaign speech built entirely on promises they have no power to keep.
A middle schooler recaps, in horror, the school dance their parent volunteered to chaperone -- and then treated like a personal concert.
A kid who did the entire group project alone presents to the class while smiling so hard it hurts, refusing to throw their teammates under the bus out loud.
A middle schooler whose phone was confiscated conducts a full hostage negotiation with the teacher who is holding it in a desk drawer.
Frozen in the wings and shaking, a kid about to go on stage for the first time argues themselves out of running and into the light.
A kid whose best friend has drifted into a cooler new group works up the nerve to say the friendship still matters, even if it is ending.
A student who has switched schools too many times stands with a lunch tray, deciding whether it is worth trying to make friends one more time.
A kid who has been quietly overhearing tense grown-up conversations at home tries to sort out worry from hope, and decides to stop pretending everything is fine.
Jaques, a melancholy nobleman in the Forest of Arden, sizes up the whole of human life as a play in seven acts -- from squalling infant to toothless old age.
Bottom the weaver wakes from a very strange night, still half-asleep, and tries -- hilariously -- to describe a dream too wonderful for words.
At Caesar's funeral, Mark Antony works a hostile crowd with cunning, turning them against the assassins while pretending to praise them.
Helena, left alone and heartsick, puzzles over why the boy she loves prefers her friend -- and decides love is blind.
Duke Orsino, lovesick and dramatic, calls for more music -- then tires of it in the same breath, showing how quickly a mood can change.
King Henry rallies his exhausted soldiers at the broken wall of a besieged town, calling on them to charge one more time.
Prospero stops a magic show mid-scene and, shaken, reflects that all the world -- towers, temples, life itself -- is as fleeting as a dream.
Left alone on the empty stage, the mischievous sprite Puck asks the audience to forgive the play and think of it as nothing more than a dream.
Disguised as a young lawyer, Portia stands in a Venice courtroom and pleads with a man to choose mercy over the harsh letter of the law.
Rosalind steps out of the play to charm the audience directly, teasing them into loving the show and sending them home with a smile.
Badly outnumbered on the morning of battle, King Henry turns fear into pride, promising his soldiers they will be remembered forever as a band of brothers.
Hamlet, alone and weighed down, thinks aloud about why people endure hard times instead of giving up -- and why fear of the unknown keeps us going.
Told his wife is dead, Macbeth answers not with grief but with a bleak, exhausted vision of life as a brief, meaningless candle.
Viola, disguised as a boy, realizes the lady she was sent to woo has fallen for her instead -- and untangles the impossible knot she is caught in.
Forensics eligibility classifications are illustrative only -- not official NSDA, NCFL, or UIL certifications. Always verify with your event's published rules before competing. Length is estimated at roughly 150 words per minute from the source text; actual performance time varies with pace and blocking.