The Group Project
- Performer
- Audition / event
- Title
- The Group Project
- Attribution
- by FreeSchoolPlays.com
- Source
- Original work
- Length
- ~1 min (224 words, whole piece)
- Cut
- Full monologue (6 beats).
"The Group Project", by FreeSchoolPlays.com, via FreeSchoolPlays.com. Free to perform; attribution required.
Hi. Hello. So. Our group chose the water cycle. (gestures at the poster) As a GROUP. All four of us. A real, functioning team of four human beings.
You'll notice the poster is very neat. That's because it was made by one person. At eleven at night. Alone. In a kitchen. But that person is not important. What's important is the TEAMWORK.
(reading a bullet point) "Evaporation." Now, Dylan was supposed to do evaporation. Dylan did do something. Dylan sent one message in the group chat, and the message was a picture of his dog. So. In a way, Dylan taught us that water is in dogs, too. Circle of life. Thank you, Dylan.
Maya said she would "for sure" do the diagram. And she did! She drew a cloud. One cloud. It's this one. (points to a tiny corner) It's beautiful. We're all very lucky. I stayed up building a functioning model of precipitation using a sponge, and Maya gave us this cloud, and honestly, who's the real artist.
And Kevin -- (long pause, still smiling) -- Kevin is here today. Physically. He is in the room. That's growth.
Anyway. In conclusion. The water cycle goes: evaporation, condensation, precipitation, and then it repeats, forever, exactly like doing group projects. (beat) Any questions? For the group? We'll ALL take them. (nobody moves) Great. I'll take them.
"The Group Project", by FreeSchoolPlays.com, via FreeSchoolPlays.com. Free to perform; attribution required.
Audition prep notes
Full piece: 6 beats, ~224 words -- very short (Under 2 minutes), about 1 min at a natural pace.
Start with the objective
Before you run it, name your character's objective in one sentence: what do they want in this moment, and what is in the way of getting it easily? Pace, volume, and movement all follow from that one sentence, not the other way around.
Map the beats
The current text breaks into 6 spoken beats. Use those breaks as a starting map, but test each one: a beat ends where the character's tactic changes, not merely where the paragraph does -- two paragraph-breaks may play as a single acting beat, or one may split into two.
Pacing for this length -- very short
Economy is everything at this length: cut any preparatory movement before your first line, and land the final beat cleanly rather than adding a button. Under 2 minutes, this often plays as one unbroken thought.
Delivery approach -- Comedy
Comic timing lives in the pause before the turn, not the punchline itself. Find the setup-and-turn shape in each beat and hold a beat longer than feels natural before you land it.
Framing for Middle school (6–8)
You are ready to work two things at once: an outer action and an inner feeling that does not fully match it. Look for one moment where the character says one thing but means something else, and let your face -- not your voice -- carry the gap.
Forensics eligibility -- Humorous Interpretation
This piece reads as Humorous Interpretation. That classification is illustrative only -- not official, not an NSDA, NCFL, or UIL certification. Always verify current eligibility with your event's own published rules before entering it in competition.
Generic coaching guidance for actors preparing this piece -- not a substitute for your director's or coach's notes.
Free to read, print, and perform. No royalty, no performance fee. The credit line above is required and is placed automatically on this packet; keep it in your program and audition materials.