Pick Me For The Hamster
- Performer
- Audition / event
- Title
- Pick Me For The Hamster
- Attribution
- by FreeSchoolPlays.com
- Source
- Original work
- Length
- ~1 min (211 words, whole piece)
- Cut
- Full monologue (10 beats).
"Pick Me For The Hamster", by FreeSchoolPlays.com, via FreeSchoolPlays.com. Free to perform; attribution required.
Mrs. Alvarez. Before you pick, I just want to say a few things. It will be quick. It is Friday and I know you want to go home too.
I am the right choice to take Sir Nibbles for the weekend. And I can prove it.
Number one: I am responsible. I did not lose my library book this year. I lost it LAST year, which means I have grown. That is called character.
(counting on fingers, gaining speed)
Number two: my house is basically a hamster resort. I already planned his whole schedule. Saturday, wheel time. Sunday, more wheel time. I will read to him. He does not have to like the book. It is about a dog, which, for a hamster, is a thriller.
Number three, and this is the big one. Devon took him last time and came back and said, and I quote, "He was fine." FINE? Mrs. Alvarez, Sir Nibbles does not deserve fine. He deserves GREATNESS.
(one last push, all in)
I will love that hamster like he is my own hamster. Which he could be. On weekends. That is all I am saying.
(steps back, then adds quickly)
Also I brought a slide with pictures but the projector is being weird. Just picture it.
"Pick Me For The Hamster", by FreeSchoolPlays.com, via FreeSchoolPlays.com. Free to perform; attribution required.
Audition prep notes
Full piece: 10 beats, ~211 words -- very short (Under 2 minutes), about 1 min at a natural pace.
Start with the objective
Before you run it, name your character's objective in one sentence: what do they want in this moment, and what is in the way of getting it easily? Pace, volume, and movement all follow from that one sentence, not the other way around.
Map the beats
The current text breaks into 10 spoken beats. Use those breaks as a starting map, but test each one: a beat ends where the character's tactic changes, not merely where the paragraph does -- two paragraph-breaks may play as a single acting beat, or one may split into two.
Pacing for this length -- very short
Economy is everything at this length: cut any preparatory movement before your first line, and land the final beat cleanly rather than adding a button. Under 2 minutes, this often plays as one unbroken thought.
Delivery approach -- Comedy
Comic timing lives in the pause before the turn, not the punchline itself. Find the setup-and-turn shape in each beat and hold a beat longer than feels natural before you land it.
Framing for Elementary (K–5)
Keep the objective simple and concrete: one sentence a classmate could repeat back, about what the character wants right now. One fully committed feeling reads better at this age than several half-formed ones -- prioritize clear diction and steady focus over emotional range.
Forensics eligibility -- Humorous Interpretation
This piece reads as Humorous Interpretation. That classification is illustrative only -- not official, not an NSDA, NCFL, or UIL certification. Always verify current eligibility with your event's own published rules before entering it in competition.
Generic coaching guidance for actors preparing this piece -- not a substitute for your director's or coach's notes.
Free to read, print, and perform. No royalty, no performance fee. The credit line above is required and is placed automatically on this packet; keep it in your program and audition materials.